Han Gan, a leading horse painter of the Tang dynasty (618–907), was known for portraying not only the physical likeness of a horse but also its spirit. The numerous seals and inscriptions added to the painting and its borders by later owners and experts are a distinctive feature of Chinese collecting. The addition of seals and comments by later viewers served to record a work's transmission and offers vivid testimony of an artwork's continuing impact on later generations. - The Metropolitan Museum
Edinburgh based Chinese artist, experienced in traditional Chinese painting and calligraphy. Experimental in combining contemporary art forms and elements from ancient Chinese works of art.
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I offer professional Chinese art backing and mounting services. To have a Chinese painting or calligraphy on rice paper mounted onto a wall ...
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Mr Chi Zhang demonstrate the most expressive format of Chinese writing – cursive style with a mop-sized brush. Chinese characters in differ...
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Han Gan, a leading horse painter of the Tang dynasty (618–907), was known for portraying not only the physical likeness of a horse but also ...
Fascinating post. Thank you so much for sharing, and warm greetings from Montreal, Canada.
ReplyDeleteFascinating post. Thank you so much for sharing, and warm greetings from Montreal, Canada.
ReplyDeleteYou are welcome. Thanks for visit my blog.
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